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The Shadow Sequel Poll

Describe your grand vision of the sequel

Want to add your own opinion? Email me! Don't forget to read the rules, though.


Tom's Vision

For myself, I would prefer a straight adaption of any of my favorite Walter Gibson/Maxwell Grant stories. No camp, no cutting up, no losing the blood and thunder tone of the pulps. This is vital. For myself, that's the thrill of reading The Shadow, it's all atmosphere and action. The hapless victim, the dupilcitous henchmen, the confounded police, the dedicated agent of the wierd avenger of crime, the ruthless, pitiliess master-minded criminal,... then, from the swirling mist, from the billowing fog, falling from a broken sky-light, emerging from the inky noir depths of of a crime ridden urban hell, uttering an icy, mirthless laugh, twin blue metal 45 caliber's spitting flame and vengence...The Shadow!

Lee Server, in his book on the pulps Danger Is My Business, described the Shadow so well as a character that "..is a cross between Dracula and Sherlock Holmes." How perfect is that, how tantalizing and irresitible is that? (Ask Bob Kane and Bill Finger, DC Comics, and Time/Warner just how great the Bat does for them, still!) Well, the job would be to out do every one that has profited off Mr. Gibson's Depression Era Fantasimo and not dumb it down and wink at the audience in a way that says "...we don't have any imagination, neither do you."

Screenplay
Combining Gibson's economic and atmospheric style with the taught and twisting (twisted?) way Robert Towne wrote the Roman Polanski classic, Chinatown, you could credibly deliver the masses the kind of super-detective adventure mystery that wouldn't leave them rolling their eyes. Even though he considers himself above the task, author James Elroy would be my choice for screen writer in this case. The inheritor to the throne of Jim Thompson and Charles Wileford, Elroy has a knack for the confounding, the shocking, and the vengeful. If you saw the film L.A. Confidential, based on the Elroy book of the same name, you get a taste of his hard boiled point of view.

Director
(Sam) Raimi or (Peter) Jackson would be ideal, but too obvious. If Jules Dassin wasn't in his mid-nineties (though still getting around) I'd pop for him. Tim Burton...eh?...some one who understands late fories film noir would be the ticket. Or maybe a guy like Beat Takeshi, who makes these utterly grim detective and crime films out of Japan? I ain't gotta clue.

The Cast: Cast? Now I got trouble! I would be hard pressed to come up with ten of todays actors and actresses that I am warm too, to cast in a film of my favorite adventure hero. So, here's my dream cast of the past:
  • The Shadow - ?
  • Lamont Cranston - Alan Ladd (The Glass Key, The Blue Daliah)
  • Harry Vincent - John Garfield (The Postman Always Rings Tiwce, A Force Of Evil)
  • Cliff Marsland - Robert Mitchum (Out Of The Past, Crossfire)
  • Rutledge Mann - Henry Travers (High Sierra, It's A Wonderful Life)
  • Burbank - Richard Basehart (He Walked By Night)
  • Dr. Roy Tam - Keye Luke (Phantom Of Chinatown, The Green Hornet serials)
  • Detective Joe Cardona - Sam Levene (The Killers)
  • Comissioner Wainwright Barth - Lewis Sone (Judge Stone's Family, Andy Hardy In...)
  • Clyde Burke - Ralph Byrd (Dick Tracy's Dilemma, Dick Tracy Meets Gruesome)
  • Margo Lane - Marie Windsor (A Force Of Evil, The Killing)
  • Kent Allard - Victor Jory (The Scarlet Arrow serials, The Shadow serials)
  • Zemba - Peter Lorre ('M', Mad Love)
  • The Death Giver - George Zucco (the Mummy's Ghost, Fog Island)
  • Crix - Leslie Banks (The Most Dangerous Game)
  • Mox - Lionel Atwill (Son of Frankenstien, The Wax Museum)
  • Double Z - John Carradine (The Grapes of Wrath, House of Frankenstien)
  • The Crime Oracle - Irving Pichel (Dracula's Daughter)
  • The Black Master - Vincent Price (Laura, The Saint radio show)
  • Whispering Eyes - Warner Oland (Charlie Chan and the Case of...)
  • Gray Fist - Mike Mazurki (Murder My Sweet)
  • Shiwan Khan - Boris Karloff (The Black Cat, the Invisble Ray)
The Crew
  • Score - Franz Waxmann or Max Stiener
  • Cinematography - James Wong Howe
  • Catering - El Gruesse Taqueia of San Jose, California

 

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